Art Theory: BVA 313 - 23/02/2019 (Library)
Research Infos: Books
The library is a great place to look for additional information on my interest in Cultural Identity. I wanted to know how other people view cultural identity and how they portrait this issue in any art form.
Book:
-Globalization and Contemporary Art (709.051 GLO) - pg 278
Author: Nikos Papastergiadis
~Dicuss more in gallery space.
"I have found that an exhibition can form a role to both reflect upon a subject and raise concern to another level"
An example: HouHanRu 侯瀚如 - Famous Gallery Curator. Art Director of MAXXI gallery in Rome. [MAXXI designed by Zaha Hadid]
MAXXI: How Hou divides the space to show the difference between artists in an art exhibition.
-Themes of Contemporary Art (709.048 ROB) - pg 50
Author: Jean Robertson; Craig McDaniel
Diversity (Paragraph 1 fourth line)
Identity is not formed around and dominated by one central variable such as race. Identity is formed within a complex matrix of many variables, including gender, sexuality, ethnicity, class, religion, community and nation.
People who accept diversity will find internal differences within the context of their own community.
Example of Artist: Lyle Ashton Harris.
Advocates people should pay attention to "this specific history and experience of African-American and the unique sensibilities and culture that arise from that experience" (respect every individual)
-Theory in Contemporary Art since 1985 (709.04 THE) - PG267
Author: Charles A Wright, Jr
The mythology of difference vulgar identity politics at the Whitney Biennial.
-Themes of Contemporary Art (709.048 ROB) - pg 50
Author: Jean Robertson; Craig McDaniel
Diversity (Paragraph 1 fourth line)
Identity is not formed around and dominated by one central variable such as race. Identity is formed within a complex matrix of many variables, including gender, sexuality, ethnicity, class, religion, community and nation.
People who accept diversity will find internal differences within the context of their own community.
Example of Artist: Lyle Ashton Harris.
Advocates people should pay attention to "this specific history and experience of African-American and the unique sensibilities and culture that arise from that experience" (respect every individual)
-Theory in Contemporary Art since 1985 (709.04 THE) - PG267
Author: Charles A Wright, Jr
The mythology of difference vulgar identity politics at the Whitney Biennial.
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